Sculpting Light

“I became one with every fold, divot, curve traveling around up and over its form.”

I poured beeswax over strips of cheesecloth inlaid with corn silks. While the sheets were still pliable, I wrapped of a preformed wire frame. I, then worked on forming the folds with attention on emphasizing the material’s natural form. As I worked, I became one with every fold, divot, curve traveling around up and over its form. The light was added to further highlight the contour and texture.